
Phil
Tate was born in Bramley,
Yorkshire, on 28th April
1922 and was educated at
West Leeds High School.
He developed an early
interest in music, taking
up the violin at the age
of eight.
He
concentrated on classical
music until the outbreak
of war, when he joined
the Royal Air Force as a
radar mechanic. In 1943
he was transferred to
welfare and was then able
to form his own orchestra
of service musicians.
After demobilisation he
formed a civilian
orchestra which included
most of his wartime
players.
In
1948 he accepted an
appointment as Musical
Director to the
Folkestone Corporation
and broadcast both from
Folkestone and London.
Regular broadcasting
commenced in 1950, when
he gave the first of his
144 'Music
While You Work'
programmes. This was with
a small band which he was
then directing at the
Hammersmith Palais
(opposite Lou
Preager)
a residency held
by both bandleaders for
many years.
Phil
Tate subsequently decided
to form a larger
orchestra for
broadcasting and, knowing
that the BBC specifically
encouraged bands to sound
'different', he set about
creating his own
particular 'sound'
a blend of three flutes,
five saxophones and
clarinet with two pianos,
trumpet and rhythm. This
produced a warm, friendly
sound with the same
spine-tingling effect as
the famous Glenn Miller
sound yet in no way was
this an imitation of this
or any other style.
Phil
Tate's orchestra was a
firm favourite on radio
during the fifties and
sixties. He even
compéred his own
breakfast-time series
featuring his orchestra
and quintet, which he led
on clarinet. By this
time, television
audiences had come to
know him as the resident
musical director for the
various beauty contests
sponsored by Mecca and
leading up to the Miss
World Contest in the
Royal Albert Hall each
November.
For
their broadcasts, the
band specialised in
strict-tempo dance music
and its success led to a
contract with Oriole
Records and the issue of
many 78s and 45 rpm
records as well as some
long-playing records.
Phil Tate and his
Orchestra had already
been captured on
celluloid in the early
fifties when they
appeared in the film
'Green Grow the Rushes'.
It is for radio, however,
that Phil Tate is best
remembered, and for the
16 years he played
regularly in 'Music While
You Work'. As his
programmes were largely
in medley form, he often
got through about 40
pieces in a 45-minute
programme!
By
the sixties, Phil Tate
had moved from the
Hammersmith Palais to the
Ilford Palais and, around
1964, he made some minor
changes to the
instrumentation of the
orchestra and to the
style of the programmes
by introducing some
longer arrangements. He
replaced the second piano
with a guitar (presumably
to facilitate the playing
of some current 'pops').
The blend of flutes and
saxes was retained.
When
the Ilford Palais
residency ended, Phil
Tate decided that a
permanent orchestra was
no longer viable and he
disbanded, but regular
broadcasting continued in
'Breakfast Special' with
a slightly smaller
combination known as Phil
Tate's Windjammers, which
had a distinctive but
quite different style.
In
1982, when the BBC
brought back MWYW for one
week, Phil Tate was asked
to reconstitute his
orchestra in the style
for which it was best
remembered. This he did,
restoring the second
piano and using only
arrangements from the
original series. The
success of this week (and
in particular, Phil
Tates broadcast)
led to a resumption of
the programme in 1983,
and Phil again took part.
The BBC assumed that he
would want to use the
Windjammers, but Phil
insisted on using the
full orchestra as before.
So, despite what was
shown in the Radio Times,
and even incorrectly
announced on air, what
was broadcast was Phil
Tate and his Orchestra!

Phil Tate
rehearsing the orchestra
for a live broadcast on
8th October 1982
By
this time, Phil had been
out of regular
music-making for some
while, although he was
still conducting for the
annual Miss World
Contest. His main
occupation now was as
Managing Director of
Mecca Agencies, a joint
position with Ivor Rabin
(Oscar Rabin' s son).
In
1990, the BBC celebrated
the 50th Anniversary of
'Music While You Work'
with a further week of
programmes and, once
again, Phil Tate took
part. It was 40 years
since his first
appearance on the show
and this broadcast was
destined to be his
swan-song. Having retired
from Mecca Agencies in
1987, he continued with
occasional band work
until 1992. For the next
eight years he acted as
director of the Music
Users' Council.
Sadly,
the last five years of
Phil Tate's life were
marred by debilitating
illness, and he died on
December 9th. 2005. His
wife had predeceased him
and he is survived by two
sons.

Listen
to Phil Tate and his
Orchestra
playing 'Stay As Sweet As
You Are'
(45 second
clip)
MUSIC
WHILE YOU WORK at 3.45
p.m. on 2nd January 1961
Played by Phil Tate and
his Orchestra
Calling
All Workers (Sig)
I'm in a Dancing Mood
Dancing With My Shadow
My Hat's on the Side of
My Head
My Little Corner of the
World
Whispering Tango
You Turned the Tables on
Me
El Pandero
Red Sails in the Sunset
Dreamin'
Everythings in
Rhythm With My Heart
One, Two, Button My Shoe
Just in Time
Snowcoach
Paradise
Isn't This a Lovely Day
Easter Parade
Madeleine
Cindy Lou
Love Walked In
The Love Nest
I've Got My Eyes
Romantica
Rustlin'
Cuban Fiesta
To Each His Own
High Tide, Low Tide
Rosalie
You're the Cream in My
Coffee
There's a Small Hotel
Don't Blame Me
Try a Little Tenderness
Somebody Loves Me
Once in a While
Kickin' Up the Leaves
Mountain Greenery
Ain't She Sweet
You Forgot to Remember
Rosemarie
Bye, Bye, Baby
Calling All Workers (Sig) |
Coates
Sigler
Woods
Woods
Pockriss
Munro
Alter
Baker
Kennedy
De Vorzon
Sigler
Burke
Styne
Stanford
Brown
Berlin
Berlin
Addison
Shepherd
Gershwin
Hersch
Porter
Rascel
Russell
Ellis
Livingstone
Race
Porter
De Sylva
Rodgers
McHugh
Woods
Gershwin
Edwards
Bart
Rodgers
Green
Berlin
Friml
Robin
Coates |
|