
Tommy
Kinsman was born in
Liverpool in 1901. In his
youth he learned to play
the banjo, subsequently
taking up the clarinet
and the saxophone, upon
which he became an
accomplished performer.
He began his bandleading
career in 1928, directing
what was initially called
the London Frivolities
Band in
Weston-super-Mare. For a
while he played at the
Florida Club, graduating
to the famous Ciro's club
before taking up
residency at the Ritz
Hotel in 1932. By the
mid-thirties he was
playing at the exclusive
Fischer's Restaurant in
Bond Street, performing
for a discerning
clientele. During the
first ten years of the
band's existence over 250
'sides' were cut for the
record labels Sterno,
Piccadilly, Metropole,
Phonochord, Edison Bell,
Winner and Octacros, for
which Tommy Kinsman later
became Musical Director.
In addition, he recorded
under pseudonyms such as
The Bond Street Swingers
and Eddie Harding and his
Night Club Boys on the
Piccadilly and Metropole
labels.
During
these early years the
band personnel numbered
between eight and twelve
players. Regular
broadcasting commenced on
Radio Luxembourg in 1936
and Tommy Kinsman was
well satisfied with his
'high society' following,
avoiding the press,
seeking no publicity and,
therefore, not receiving
any! Some of his early
recordings were reissued
in 1990 on a long-playing
record on the Harlequin
label and amongst the
personnel was
violinist/saxophonist
Freddie Ballerini, whose
own sextet often
broadcast during the
sixties.
Despite
the large number of
commercial records made
before the Second World
War, Tommy Kinsman is
best remembered for his
post war broadcasts with
his dance orchestra,
playing 'strict tempo'
ballroom music. He played
regularly on 'Music
While You Work'
for over 20 years,
chalking up 138
programmes in the series,
and very entertaining
they were too! The band
consisted of a full
saxophone section plus
brass and rhythm (the
guitar and violin which
he included before the
war were dispensed with
in later years). A
memorable feature was the
orchestra's two-piano
team who played 'a Ia
Victor Silvester' in a
style sometimes known in
the music business as
'bubble and squeak'
the second pianist
being required to play an
improvised 'filigree' of
notes around the main
melody played by the
first pianist, rather in
the manner of a clarinet
player in a traditional
jazz band.
Tommy
Kinsman continued to make
records after the war
and, during the fifties
and sixties, made more
than 40 long-playing
records for Oriole, Wing
and Fontana. Very
occasionally, a string
section was used for
certain tracks, as was an
accordion where
appropriate, but the
basic sound was the same
as the broadcasts: brash,
bouncy and tuneful. In
common with other bands,
Tommy Kinsman's style had
changed since the
thirties and now had
great appeal to London's
high society, and his
band become known as the
'Deb's Delight Band'. He
was the doyen of dance
band leaders, having fans
amongst European Royalty.
One of his biggest fans
was the late Queen
Mother!
Unlike
many bands, Tommy Kinsman
and his Dance Orchestra
never had 'palais'
residences, preferring to
do gigs in London and
elsewhere. They could be
at Windsor Castle one day
and a working-men's club
the next. That they
existed for about 50
years could well be
attributed to the fact
that Kinsman was an
unassuming man who,
despite his high standing
in society, was quite
happy to play for anyone
who wanted his services;
apparently he even played
in peoples houses.
(I wish Id known!)
Tommy
Kinsman's post-war
orchestra had 14
musicians and, during the
sixties, played only in
the longer afternoon
editions of MWYW, which
ended in 1966. The lower
budget allocation for the
remaining morning shows
didn't allow for the use
of many large bands,
however, after some
persuasion, Tommy Kinsman
managed to secure one
more broadcast before the
series ended. Although
the band carried on for
many years after
broadcasting ceased, I
recall reading in the
seventies that they were
struggling to get work.
Modern trends had meant
that most of their
'society' work had dried
up and they were mainly
doing working-men's
clubs. At that time their
drummer (whose bass drum
bore the autographs of
monarchs of many lands)
had been in the band for
22 years!
Finally,
Tommy Kinsman went into
the business of providing
bands for cruise liners.
Of course, he made sure
of always fronting one
himself, thus enabling
him to combine work with
pleasure! He also took
the opportunity of
playing for private
parties on the Continent.
In 1982, at the age of
81, Tommy decided to
retire to Marbella.
Sadly, he suffered a
heart attack on 1st
February 1984 and after a
further attack on 15th
March was rushed to a
clinic in Malaga, where
he died. He was cremated
in Madrid and his ashes
were scattered in the
gardens of Golders Green
Crematorium, as had been
those of his first wife.

Listen
to 'Music While You Work'
played by Tommy Kinsman
and his Dance Orchestra
as broadcast on 5th.
October 1960.
Music
While You Work at 3.45
p.m. on 5th October 1960
Played by Tommy Kinsman
and his Dance Orchestra
Calling
All Workers (Sig)
Looking High, High, High
Tonis Tune
Fings Aint Wot They
Used To Be
Sunday
You're Driving Me Crazy
Pink Elephants
Bye Bye Blackbird
Somebody Stole My Gal
Say It With Music
Eternally
How About That
The Best Things in Life
are Free
Harry Lime Theme
Dancing Time
Easy to Love
Cheek to Cheek
Do you Mind?
La Ronde
You Forgot Your Gloves
My Baby Don't Mean Maybe
Sing Baby Sing
Ida Sweet as Apple Cider
Glue Foot
Cinderella Jones
Standing on the Corner
An Apple for the Teacher
It's the Natural thing to
Do
One Two Button Your Shoe
The Music Goes Round and
Around
Romantica
Poor People of Paris
Ooh La La
Calling All Workers (Sig) |
Coates
Watson
Phillips
Bart
Rodgers
Donaldson
Woods
Dixon
Woods
Berlin
Chaplin
Van Dyke
De Sylva
Karas
Kern
Porter
Berlin
Bart
Straus
Lehak
Donaldson
Pollack
Leonard
Mercer
Styne
Loesser
Monaco
Johnson
Johnson
Farley
Rascel
Monnot
Calvi
Coates |
|