
A
light music programme
which ran (albeit
intermittently) for over
40 years. Starting during
the war, initially as a
record programme, it soon
graduated to using studio
music using a military or
brass band to play the
marches and a light
orchestra to play the
waltzes. For many years
the resident orchestra
was The Raeburn Orchestra
conducted by Wynford
Reynolds.
When
Reynolds became
terminally ill in 1958, Bernard
Monshin
conducted his orchestra
for a while. Other
orchestras took over
after the death of
Wynford Reynolds in
January 1959 with Anton
and his orchestra
eventually becoming
resident orchestra.
The
programme commenced and
ended with the band
playing the Sousa march
'King Cotton' and the
orchestra playing a part
of 'Vienna Blood'
(Strauss), a novelty
feature being that band
and orchestra would
combine for the last part
of the waltz.
However,this idea could
only be used when both
contributions were live (
the marches were
sometimes pre-recorded)
and ceased altogether
when,in the sixties, it
was decided to utilise
BBC staff orchestras to
play the waltzes. The
Midland Light Orchestra
did it for a while but
were known to hate the
programme because it
meant a three-hour
session (rehearsal plus
the one - hour broadcast)
playing in three-four
time which they found
monotonous!
After
their participation
ceased, the orchestral
part of the programme was
provided by the BBC
Northern Ireland Light
Orchestra,
apart from a series
around 1980 when it was
decided to use the London
Studio Players
(augmented with brass)
for the waltzes, with a
different guest conductor
each week. The BBC, in
its infinite wisdom,
decided to bill this in
the 'Radio Times' as -
'The Orchestra conducted
by......'. The writer
thought this was
ridiculous and told the
producer, Charles Clark-
Maxwell that they should
find a name for it! So
they decided to call it
'The Langham Orchestra' -
obviously oblivious to
the fact that there had
been a Langham Light
Orchestra back in the
Fifties!
For
the final series in 1984,
the BBC introduced the
idea of having the band
and orchestra switch
roles for two pieces in
each programme. This
resulted in the writer's
waltz 'Souvenir de
Montmartre' being played
by the Band of the Royal
Artillery (Woolwich) in
one of the last
programmes ! Maybe that
was the final straw!
It
is worth mentioning
that,for a while in the
seventies, a variant on
'Marching and Waltzing'
was broadcast,initially
featuring the BBC
Northern Ireland Light
Orchestra and guest brass
and military bands
entitled 'Brass and
Strings and Other Things'
- a cumbersome title
later shortened to 'Brass
and Strings', when the
orchestral content was
provided by a section of
the BBC Radio Orchestra.
These programmes differed
only to the extent that
the music did not have to
be confined to marches
and waltzes.
MARCHING
AND WALTZING at 11a.m.
Home Service on 24th.
August 1959
The marches played by the
C.W.S Manchester Band,
Conductor Alex Mortimer
The Waltzes played by
Anton and his Orchestra
March:
The Standard of St.
George
Waltz: Waltz for a Bride
March: Washington Post
Waltz: Gypsy Reverie
March: El Abanico
Waltz: Around the Volga
March: Lorraine
Waltz: Boulevards de
Paris
March: Washington Greys
Waltz: Valse Poudree
March: National Emblem
Waltz: Mon Reve |
Kenneth
Alford
Harry Dexter
Sousa arr. Hewitt
Tony Lowry
Javaloyes arr. Ord Hume
Walter Borchert
Ganne
Gerald Crossman
Grafulla
Francis Popy
Bagley
Walteufel |
|