CD REVIEW -
LERNER & LOEWE'S
MY FAIR LADY
SOLOISTS
SINFONIA OF LONDON
JOHN WILSON
CHANDOS CHSA 5358 [TT 58:36 & 71:27]

John Wilson/SOL follow up their successful 'Oklahoma!' and 'Carousel' albums (both reviewed here) with what the record company describes as the "quintessential American London musical of 'My Fair Lady' ". Its first production in 1956 was an enormous success, winning six Tony awards including best musical, setting a record for the longest run of any musical on Broadway up to that time with 2717 performances in over six years, and was followed by a hit London production in 1958 at the Theatre Royal, Drury Lane with 2281 performances in about five and a half years.

With book and lyrics by Alan Jay Lerner (1918-86) and music by Frederick Loewe (1901-88), it is adapted from George Bernard Shaw's 1913 play 'Pygmalion' and Gabriel Pascoe's 1938 motion picture 'Pygmalion'. And in the history of musicals, it has become legendary.

On this release, Wilson with his magnificent musicians and cast re-create every note for that first production in their original orchestrations, which came from Robert Russell Bennett, Philip J Lang and Jack Mason.

It is understood that the maestro takes as much care in choosing his vocal soloists as he does his orchestra. Here, the two principal roles of Eliza Dolittle and Professor Henry Higgins are taken by Scarlett Strallen, an English soprano voiced stage actress best known for her work in musical theatre productions in the West End and on Broadway, for which she has received four Olivier Award nominations; and Jamie Parker, an award-winning English actor and tenor singer, who was cowboy Will Parker in 'Oklahoma!'.

Laurence Kilsby, a young English light tenor opera singer, is Freddy Eynsford-Hill; Malcolm Sinclair, a British stage and television actor and former President of the Equity Trade Union, is Colonel Hugh Pickering. Also "off the telly" are the wonderful award-winning actor Alun Armstrong (like Wilson North-East born), late of 'New Tricks' and much else, playing Alfred P Dolittle; Dame Penelope Wilton from 'Downton Abbey' in the non-singing role of Mrs Higgins; and Julia McKenzie, a past Agatha Christie's Miss Marple (2009-2013), playing Mrs Pearce, Higgins's housekeeper.

There are 15 other soloists, some of whom are among the 24-strong My Fair Lady Ensemble, under chorus master Alex Parker, including a quartet of bass, baritone and two tenor Cockney voices.

An illustrated 115-page booklet includes well-nigh everything to know about MFL … apart from the conductor's score! Newcomers to the show (there must be at least one) can read both a synopsis and full libretto. In a conversation with David Benedict, Wilson is asked about the theatrical tone to the orchestral playing and says that he encourages his musicians to play as soloists. He goes on to say: "Our percussion department uses instruments of the period and the brass players all come from the dance-band tradition – small bore trumpets and such like."

Act 1 on CD1 has 28 tracks with the first and last, Overture and Embassy Waltz, being solely orchestral. Act 11 on CD2 has 26 tracks – a standout for me is the second longest on either disc, Get Me to the Church on Time – and includes 24 minutes of Appendices: original versions of recorded pieces not used at the premiere, and utility cues (extra music prepared to cover such things as scene changes and other brief periods that might require it, and were often, as here, not used in the final production).

Undoubtably, another winning Wilson album to relish. I know that additions to the series are already scheduled for recording in the next two years; hopefully one of them will be 'West Side Story'.

© Peter Burt, September 2025

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